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  • BECOME A MEMBER | Triton Museum of Art

    Interested in Becoming a Member? JOIN TODAY All Membership Levels Include the following: Discounts and priority registration on education classes Invitations to Member Appreciation event Free admission to monthly Triton Book Club Member’s Discount to Art History Lectures Personalized membership card 10% discount in the Museum Store Membership fees are tax-deductible to the extent allowed by law [501(c)(3) nonprofit; Tax ID #94-6122076] Types of Memberships Student Basic Membership benefits for oneadult student (age 18+) with university / college ID $20 BUY NOW Senior Basic Membership benefits for one senior (age 62+) $20 BUY NOW Individual Basic Membership benefits for one adult (age 18+) $40 BUY NOW Family Basic Membership benefits for one family or couple, PLUS: discounts and priority registration $55 BUY NOW The North American Reciprocal Museum (NARM) Association program allows our members FREE general admission to over 1,300 participating museums in North America, with over 100 museums in California! Each participating institution has its own policy about Family Memberships (i.e. one or more free general admissions), and we advise you to contact the institution in advance to find out their policy and avoid confusion. Click here to see participating museums Subscription that includes 4 print issues (quarterly), online issues, and admission to all online & in-person events. Click here to learn more about your subscription Curator's Circle All benefits of Family Membership for all immediate family members, PLUS: • Members Only preview tour before exhibition reception • Participation in the NARM* program • Content Magazine* Subscription $100 BUY NOW Director's Circle All benefits of Curator's Circle Membership for all immediate family members, PLUS: • Exclusive Triton tote bag • One free registration for an entire Art History lecture series $250 BUY NOW Patron All benefits of Director's Circle Membership for all immediate family members, PLUS: • Invitation to Art History presentation and celebratory champagne, led by Executive Director • Donor recognition in museum $500 BUY NOW Benefactor All benefits of Patron Membership for all immediate family members, PLUS: • An invitation to an artist studio tour, led by Curator $1,000 BUY NOW Leadership Circle All benefits of Benefactor's Membership for all immediate family members, PLUS: • A Commemorative Tile installed at entrance of the museum $2,500 BUY NOW Corporate Benefits of a Corporate Membership include: • Corporate logo displayed in museum • Recognition on museum website • 20% Corporate facility rental discount $5,000 BUY NOW Interested in becoming a Member? Become a member today! Just click the link below to get started. JOIN TODAY

  • SCULPTURE GARDEN | Triton Museum of Art

    Sculpture Garden at the Triton Museum of Art Mark as Starred Mark as Starred Mark as Starred Mark as Starred Mark as Starred Mark as Starred Mark as Starred Mark as Starred Mark as Starred Mark as Starred Mark as Starred Mark as Starred Mark as Starred Mark as Starred Horss, Cerey, Boye, Patricia Sascha S. Schnittman The Morgan Horse , 1966 Bronze Don Rich Untitled , 1994 Bronze Francis M. Sedwick The Sisters, 1948 Bronze Sheldon Schoneberg Untitled , No Date Aluminum Sheathed John Cerney Sunflowers for Vincent , 2022 Acrylic on MDO Plywood Thomas Walsh Atrium , 2000 Bronze Richard Murphy The Littlest Cowboy, 1982 Bronze Francis M. Sedgwick Horse and Rider , 1956 Bronze Harry Powers Boyne , 2004 Bronze Chris Sawyer Cooper’s Joy , 2016 Metal, Paint Harry Powers Vasari , 1983 Cast Concrete Patricia Bengton-Jones Symbol 1 R = Rune, 1990 Italian Marble Sharon Loper Female Figure, Male Figure, Wolf- Female, Wolf - Male , 2001 Bronze Sascha S. Schnittman Torso Fragment, 1946 Bronze Rich, Walsh, Sawyer, Loper Sistes, cowybo, vasari, torso pyrami, rider Download our Sculpture Garden Map Now! Download

  • Phillip Hua | Triton Museum of Art

    < Back Phillip Hua SEP 28 - JAN 12 You Can Never Go Home Again Phillip Hua is a South Bay Area native whose art speaks of the delicate relationship between nature and commerce. As someone familiar with the ever-changing landscape of the Silicon Valley, Hua visualizes this shift in his art using unique processes that combine creative digital and traditional techniques. His work presents a call to be aware of how we're affecting the world around us and to question what our priorities are. This exhibition will include a selection of the artist's 2D works. Artist Statement: When I was growing up in San Jose, fields, orchards and wild, undeveloped lots were abundant. In the house that I spent most of my adolescent years in, there was a small personal farm behind our backyard. I could hear crickets when I went to bed. Today, that small farm is now replaced by new housing. The nights are mostly silent. The fields and orchards that I remembered are now office parks and commercial spaces. Where the change has been an economic boon to the Bay Area, I question what was replaced. The tide of redevelopment fueled by the relentless march of tech washed away so much of the beauty of nature. My memories of San Jose no longer align with what it is today. My artistic process is a blend of traditional and digital techniques, revolving around creating photo composites that I print, rework, scan, and digitally rework again. I incorporate dots to represent printing, ink bleeds to represent painting, and squares to represent pixels, influenced by our blended digital and corporeal lives. I draw inspiration from Asian brush painting, technology, and nature. While political, my goal is to always lure the viewer with beauty and color to provoke contemplation. This exhibition draws from over 17 years of work, ranging from portraits that invoke nostalgia and childhood to works that portray the intersection of the environment with the economy. Previous Next

  • Portals & Passages: An evolution of paintings, sculptures, and social magic

    Portals & Passages: An evolution of paintings, sculptures, and social magic Laurus Myth Marquee: Laurus Myth, Birth of the Universe, Acrylic on canvas, 2023 Echoes from the Womb Series JAN 25 - APR 27 Will be on View in the Warburton Gallery < Back Overview Local artist Laurus Myth debuts Portals and Passages, her first solo exhibition at the Triton Museum of Art, 1505 Warburton Ave. (January 25 - April 27, 2025.) Portals and Passages is a reflection point, weaving together Laurus’ portfolio of work across disciplines. From vivid colors, patterns, and layered paintings evolving into sculptural forms, Myth leans into art to tell stories of connection and relationship. Myth’s visual language is influenced by nature, technology, and intuition as they use symbols to decode their experience. Portals and Passages transforms Triton’s Warburton Gallery with works that draw viewers through moments of connection. This expansive body of work bridges dualities: technology-nature, movement-stillness, internal-external, and day-night. Artist Statement: Laurus Myth is an Asian-American interdisciplinary artist raised in Silicon Valley. A born innovator, Myth follows a creative and intuitive path as she fabricates and curates intentional spaces. Drawn to sacred architecture and mental landscapes, her work is colorful, symbolic, and deeply immersive. Myth’s experiential practices birthed several installations she calls “Social Magic.” Visually drawing– these playful and often temporary installations invite us to connect with our narratives and become part of a larger story. The artist turns the museum's gallery into a spatial story with codes and keys leading us to places unseen. Portals and Passages distill the last decade of Social Magic into new queries, forms, paintings, and sculptures. Previous Next

  • Artists Reception | Triton Museum of Art

    < Back EVENTS Artists Reception Date Time Cost < Back May 25th, 2024 / 2pm - 4pm Reception This is placeholder text. To change this content, double-click on the element and click Change Content. Want to view and manage all your collections? Click on the Content Manager button in the Add panel on the left. Here, you can make changes to your content, add new fields, create dynamic pages and more. Your collection is already set up for you with fields and content. Add your own content or import it from a CSV file. Add fields for any type of content you want to display, such as rich text, images, and videos. Be sure to click Sync after making changes in a collection, so visitors can see your newest content on your live site. Previous Next

  • Salon at the Triton 2024 | Triton Museum of Art

    Salon at the Triton 2024 Winners 2024 Salon at the Triton Selected Artists Abel Manalo Alicia Murphy Andrew Jackson Andy Forrest Anna Gelman Annette LeMay Burke Annie Haines Beth Fein Bibby Gignilliat Bing Zhang Brian Bounds Brigitte Carnochan Caren Wynne Catie O'Leary Chiachen Wang Christie Marks Christopher Newhard Cynthia Brannvall Dan Alcaxzar Daniela Schweitzer Darren Sears David Ruiz David Stonesifer David Stubbs Dawn Tower Dean Larson Debbie Dicker Deborah Sibony Deirdre White Diane Abt Diane Warner-Wang Dobee Snowber Dora Duan Eileen David Elaine Heron Elizabeth Geisler Elizabeth McKinne Ellen Brook Ellen Konar and Steve Goldband Evelyn Wester Fiorenza Gorini Frances Wren Gabe Narciso GayLynn Ribeira Hadi Aghaee Howard Hersh Irena Kononova James Groleau James Whitehouse Janey Fritsche Jenifer J Renzel Jennifer Anderson Jim Promessi Jonathan Crow Julie Carcione Julie Grantz Julie Kavanagh Julie Weaverling Karen Benioff Friedman Karen Cox Karen Mason Karen White Katherine Filice Kathleen Mitchell Kathryn Wills Kathy Dana Ken Fowkes Kim Smith Lei Min Leslie Landers Lonnie Zarem Louis Chan Lucy Beck Luiza Maia Magué Calanche Maria Kazanskaya Maura Carta Melissa Mandegarian Michael Acker Michael Endicott Michael Welch Michelle Mongan Mihail Kivachitsky Mitchell Johnson Ni Zhu Pablo Villicaña Lara Patricia Jones Patricio Jimenez Patrick Samuels Peter Carey Philip Rosenthal Rachel Davis Renée Switkes Robyn Freedman Rosalinda Taymor Roston Johnson Sabin Filip Samuel Price Sandra Speidel Scott Johnson Shirley Manfredi Sriharsha Annadore Stanislava Chening Stanley Peterson Stephanie Thwaites Susan Costes Susan Friedman Suzette McDonough & James Whitehouse Vivian Patton Ward George Yen Yen Tay Youming Cate Best in Show Winner Dean Larson Urban Light , 2023, oil, 42 x 50. Category: Painting 1st Jim Promessi The Fourth in Sonoma, 2023, Oil, 38 x 32. 2nd Julie Kavanagh Abundance , 2024, Oil, 24 x 24. 3rd Ni Zhu The Woman Who Sells Fish , 2019, Oil, 32 x 32. Category: Drawing 1st Vivian Patton A Perfect Moment, 2024, Pastel, 20.5 x 29.5. 2nd Julie Grantz Wishbone Study , Charcoal Drawing, 2024, 24 x 16. 3rd Gabriel Narcisco Lost in Ikea, 2023, Ink, 11.5 x 14.5. Category: Photography 1st Stanislava Chening Portrait Of a Youth Through Time, 2022, Photography, 18 x 22. 2nd Dora Duan Away, 2024, Photography, 24 x 18. 3rd Ellen Konar & Steve Goldband Across, 2022, Photo Encaustic Pigment Print, 20 x 30. Category: Mixed Media & Printmaking 1st Magué Calanche Doblando La Realidad, Bending Realities, 2021, Mixed Media, 48 x 36. 2nd Christie Marks Mekong Sojourn, 2020, Mixed Media, 26 x 38. Sabin Filip Ends & Begins, 2023, Mixed Media, 34 x 55. 3rd Category: Watercolor 1st Peter Carey Chartres Cathedral, 2024, Watercolor, 22 x 26. 2nd Pablo Villicaña Lara Silver Heart, 2022, Watercolor, 31 x 25. 3rd Louis Chan Prayer, 2016, Watercolor, 21 x 31. Honorable Mentions Eileen David Green Hillside, 2022, Oil on Canvas, 31 x 51. Abel Manalo Allure, 2019, Watercolor Handwoven, 21 x 17. Lonnie Zarem Truckee River Raging, 2024, Encaustic Monotype, 36 x 60. Diane Abt Breakthrough, 2024, Painting, 44 x 32. Daniela Schweitzer Thriving, 2023, Acrylic on Canvas, 60 x 60. Stanley Peterson Mystery Girl, 2020, Oil, 30 x 24. Patricio Jimenez Evening Light, 2024, Oil, 26 x 32. Janey Fritsche Ocean Light, 2023, Ink & Oil, 30 x 30. Elizabeth Geisler Radiance, 2024, Acrylic, 28 x 28. Rachel Davis That's The Goddess, 2022, Painting, 40 x 36. Roston Johnson Roston Cremes (after Thiebaud), 2022, Oil on Canvas, 24 x 36. Director & Curator's Choice Curator’s Choice: Vanessa Callanta, Curator Deirdre White, Summer Had Inhaled And Held Its Breath Too Long , 2021, Oil on Panel, 30 x 36. This painting stands out to me as beautiful and, at the same time, horrifying. There’s this sense of dread and heaviness I feel while viewing it, but it has this morbid allure that keeps me hooked. I want to know what shape the deflated balloon once took, but am afraid to ask. The bold colors, while simultaneously grotesque and attractive imply a sense of illness and unrest. I love it and cannot look away. Director’s Choice: Preston Metcalf, Executive Director and Senior Curator Suzette McDonough James Whitehouse, Paparazzi Portrait #2, Mitch Huitema & Tim Holmes, 2022, acrylic, 36 x 48. I am often intrigued by partners who paint together. How does one project their vision in concert with another? It is an exercise in trust, and valuing the creativity of each. Suzette and James have made tandem painting one of their trademarks. Sometimes they will each paint the same subject, to be shown side-by-side, while at other times — as in this painting — they will each contribute to the same canvas. I am intrigued not only by the decisions each make in composing the overall whole, but in the daringness they take as a team in portraying some parts in completion, while others are left to our imagination, as if in fleeting visions captured by paparazzi’s cameras. Curator’s Choice – Bryan Callanta, Curator of Digital Programming Bounds, Float , 2023, Acrylic, 24 x 12. I enjoy this painting for its subject matter, it’s creativity, and uniqueness. I am intrigued as to why the whale is floating on the surface of the water. There is a heart on fire above the creature which may represent a passion or feeling of love. There are also scars on the whale’s head and body. What is it that the whale is ultimately seeking outside of its home? Want to be notified about future Salon Competitions? Sign up Today! Need more information? See Important Dates & Deadlines See the 2023 Winners

  • Hana Lock | Triton Museum of Art

    < Back Hana Lock SEP 14 - JAN 5 Anatomica Hana Lock is the Best of Show winner for the 2023 Salon at the Triton. Her work is an intriguing mix of bizarre and sublime, depicting in great detail our delicate anatomy alongside or combined with other wonderful creatures such as rabbits, frogs, mice, snakes, wolves, beautiful plants and flowers - our connection to the natural world. Her work displays our vulnerability and forces us to confront what is inevitable - that, along with all over living beings, we will all die and decompose. However, this fate is not portrayed as something to be feared, but rather embraced as part of the natural rhythm of life and death. This exhibition will include a selection of 2D works by the artist. Artist Statement: Anatomica is a collection of paintings and drawings that draw inspiration from my love of anatomy and fascination with the transience of life, the inevitability of death, and the mystery of what lies beyond. My work offers a holistic view of the body by highlighting the beauty of its internal structures without shying from the grotesque. Referencing visual and philosophical concepts from Buddhism and European medieval funerary art, my art often features anatomized bodies being strewn across the composition as their viscera intertwines with flora and fauna. In my practice, I primarily use ballpoint pen, watercolor, and acrylic to create intricate and precise line work and vibrant, flat colors reminiscent of Japanese woodblock prints and Art Nouveau. I strive for precision and detail, and I believe that in addressing the formal and conceptual qualities inherent in line, I am effectively capturing the delicate intricacies of the natural and imaginative world. Previous Next

  • Poetic Sentiment, Chan Spirit, 2021

    EXHIBITION Poetic Sentiment, Chan Spirit Chun-Hui Yu DATES: MAR 13 - JUN 6 YEAR: 2021 Previously on view in the Permanent Gallery < Back OVERVIEW ADDITIONAL INFORMATION Previous Next

  • INCLUSIONS | Triton Museum of Art

    RENTAL INCLUSIONS FURNITURE PIANO SPECIFICATIONS PARKING MAP Here is a list of what the Triton provides for your event and is included in your rental fees. Amenities Catering kitchen 6 stall women's restroom/6 stall men's restroom Gallery space(s) (depending on which are open) Trash/recycling bins and dumpsters Layout board for mapping events (on-site) Audio-Visual Capabilities Access to Bluetooth and sound system Dropdown projector screen (subject to exhibition schedule) (1) TV monitor for presentations or video Furniture Furniture for up to 104 guests provided by the Triton See full updated furniture list for details. Museum Staff Assistance Two Triton Museum staff members will be present to assist in any venue-related questions or concerns through the entirety of the rental. Loading Dock A loading dock is available for use by yourself and/or vendors to assist with loading off vehicles and into venues. Free Parking Free and ample parking is available directly adjacent to the Triton Museum and respective venues on the property. Parking outside of the area is subject to limits provided by street signs.

  • Marc D'Estout | Triton Museum of Art

    < Back Marc D'Estout JAN 18 - APR 19 A Singular Evolution: A 20 year survey of Marc D'Estout Marc D'Estout is a multi-disciplinary artist, curator, art director and designer who graduated with a MFA from San Jose State University. His extensive career includes exhibiting at numerous galleries throughout California and the United States, being featured in several art and design publications, and keeping an active art and teaching career. Artist Statement: Although I am now primarily an object maker, my formative art career was rooted in conceptualism and installation work that actively engaged viewers in carefully created environments. I think of my current pieces as sculptural haikus–formalist reductions. I experiment with subliminal (or sometimes blatant) imagery in response to observations of social and cultural memes, personal (mis)communication, politics, or pop (sometimes dark) humor. I usually draw my pieces first… sometimes as sketches, more often as precise guides. Most of my work is created from flat sheet-steel... the thickness of car bodies. Some pieces include steel rods. Shaped parts are created by hammering the metal into a sandbag or, sometimes, over curved metal blocks called stakes. The parts are then joined by welding and finished by filing and sanding seams, often to give the illusion of a single form. Surfaces are finished with either paints or patina. Other works repurpose and alter found objects… sometimes with new handmade components. These pieces often have a more immediate gestation. While concept drives my imagery, I am equally obsessed with using traditional labor-intensive processes to manifest my vision. The act of hand-making objects from metal has become my Zen. Previous Next

  • 2023 Salon Winners | Triton Museum of Art

    2023 Salon at the Triton Museum: 2D Competition Winners Thank you to all of the artists who submitted and participated in our 2023 Salon at the Triton Museum of Art: 2D Competition. 2023 Salon at the Triton Museum Recipients Andrew Leone Andy Nguyen B. Nicole Klassen Barbara McLain Bernard Lint Bing Zhang Bismillah Iqbal Brandon Stauffer Brenda York Cathy Locke Chiachen Wang Chieko Shimizu Chris Patio Christie Marks Clark Gussin Dana Mano-Flank Dana Weigand Dave Ralston Deborah Hall Denise Howard Denise Laws Dottie Lo Bue Edi Matsumoto Elaine Heron Elena Mukhina Elizabeth Barlow Enrique Luna Eric Guan Fei Fiorenza Gorini Hadi Aghaee Hana Lock Hanh Tran Hargun M Mann Heather Capen Helen Yang Hwei-Li Tsao James Mertke Jane Yuen Corich Janet Yelner Janey Fritsche Jaya King Jeff Herman Jeff Ishikawa Jemal Diamond Jim Promessi Jonathan Crow Jonathan L. Clark Joy Broom Julia Munger Seelos Julia Woods Julie Grantz Julie Tsang Kavanagh Juliette Berman Jung Han Kim Kaaren Marquez Kanna Aoki Karen Cox Karl L Jensen Katherine Young Kendra Morrison Kevin Bjorke Laura Mchugh Leslie Landers Lin-Ching Peng Lorraine Lawson Lou Bermingham Lynne Auld Maeve Croghan Mariana Moreno-Gonzalez Marie Cameron Marise Zimmermann Marti Somers Mats Olsson Matthew Reynolds Maura Carta May Shei MeiYing Dell-Aquila Melissa Kreisa Mila Kirillova Mina Ho Ferrante Muneeba Zeeshan Ni Zhu Olivia Chen Omar Harb Pat Moseuk Patricia Jones Paul Art Lee Peter Baczek Peter Carey Peter R. Paluzzi Raja GuhaThakurta Richard Dweck Renée Switkes Robert Semans Ron Dell'Aquila Seema Gupta Sena Clara Creston Sharon Pomales Tousey Silvia Poloto Stanislava Chening Starr Davis Stephanie Gieralt Mullaly Stephen Mangum Susan Chan Susan Manchester Susie Wilson Suszi Lurie McFadden Tiffany Wan Trung Cao Youming Cate Yuliia Kolesnytska 2023 Salon Best of Show Winner! Hana Lock Guren , 2022, Ballpoint Pen, Acrylic, Watercolor, Ink and Gold Foil on Wood Panels, 24" x 72" Painting First Place Cathy Locke Tea Leaves , 2022, Oil, 25" x 31" Second Place Julie Kavanagh Girl with Dahlias , 2021, Oil on Panel, 28" x 24" Drawing First Place Tiffany Wan Serenity , 2023, Graphite, 20" x 26.25" Second Place Youming Cate Girl with Pearl Necklace , 2023, Pastel on Paper, 27.5" x 21.5" Photography First Place Elaine Heron Mongolian Hunter and His Eagle , 2022, Photography, 20" x 24" Second Place Ron Dell'Aquila Storefront Conversation , 2023, Photography, 20" x 30" Mixed Media / Printmaking First Place Peter Baczek Flying Buttress , 2022, Etching, 25" x 21" Second Place Brenda York A Conspiracy Of Happenstance And Moondust, 2023, Mixed Media on Canvas, 30" x 48" Director's & Curator's Choice Director's Choice (Preston Metcalf, Executive Director and Senior Curator): Katherine Young, The Sacred Sea Curator's Choice (Vanessa Callanta, Curator): Stanislava Chening, Sonya Curator's Choice (Bryan Callanta, Curator of Digital Programming): Chieko Shimizu, AMAVI Director's Choice Preston Metcalf, Executive Director and Senior Curator Katherine Young The Sacred Sea , 2023, Mixed Media--Oil and Gold Leaf on Wood Panel, 60" x 60"

  • Let's Face It!, 2022

    EXHIBITION Let's Face It! Various Artists DATES: MAY 14 - JUL 17 YEAR: 2022 Previously on view in the Unknown < Back OVERVIEW ADDITIONAL INFORMATION Previous Next

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