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  • Recent Acquisitions to the Permanent Collection, 2022

    EXHIBITION Recent Acquisitions to the Permanent Collection Various Artists DATES: JAN 22 - MAY 1 YEAR: 2022 Previously on view in the Unknown < Back OVERVIEW ADDITIONAL INFORMATION Previous Next

  • An Ode to Planets, 2024

    EXHIBITION An Ode to Planets Yunan Ma DATES: JAN 13 - APR 28 YEAR: 2024 Previously on view in the Cowell Gallery < Back OVERVIEW ADDITIONAL INFORMATION Yunan Ma was born and raised in Taiyuan, China. She grew up learning fine arts, and was accompanied by a diverse talents of family members. Yunan came to the United States at the age of 17. After graduating from Savannah College of Art and Design with a BFA in Fashion Marketing and Management, Yunan worked at a well-known leather handbag company, where she mastered leather weaving techniques. Throughout the work experience, Yunan was fascinated about weaving and knitting subjects and discovered her passion in this field. To pursue her interest, she returned to school. In 2018, Yunan graduated from Academy of Art University with a MFA in Knitwear Design, where she was mentored by the famous knitwear designer Midori Sergent. Yunan was the only knitwear designer to attend the New York Fashion Week graduation runway; in addition, she was selected for 2018 CFDA+ Design Graduates Program. In the same year, the first pieces of Yunan Ma Fiber Art was created in her living room in San Francisco Bay Area with leftover materials from the knitwear collection. Yunan Ma Fiber Art is executed with the finest natural fibers including merino wool, alpaca wool, mohair, silk, cotton, and novelty accent, that are carefully selected from top yarn mills around the world. With a fine arts and knitwear design background, Yunan believes fiber art is more than beautiful textures and exquisite craftsmanships. Every piece depicts a storytelling experience by interpreting energy and emotion in a cheerful way. A complex universe can be discovered inside of her fiber creatures, big or small, quiet or loud. Through the vision in her art, unlimited enthusiasm shines through from the creative manipulation of materials and techniques. In “An Ode to Planets”, Yunan invites you to embark on a sensory odyssey inspired by the ethereal beauty of the galaxy, creating an immersive environment where the boundaries between the celestial and the terrestrial blur. The installation in this exhibit is crafted with an intentional embrace of organic forms, as well as playing the contrast between the organic warmth of matte wool and the cool sophistication of sleek surfaces. The swirling textures on the circular pieces tribute to the planets that have ceaseless activity in the universe. The reflective surfaces interact to form a dynamic composition that invite flow and exploration. This contrasting illustrates the harmonious coexistence of busy constellations and empty space. It is a visual metaphor for the dualities inherent in the cosmos. “Blossom in the Moonlight” captures the essence of growth, transformation, and the undiscovered excitement in the universe. It depicts delicate flowers bloom in the vast expanse of space during the enigmatic hours, and evokes a sense of wonder and elegance. It unfolds a transition between the phases of day and night, vitality and stillness. All of the elements in “An Ode to Planets” encapsulates the reverence admiration for the space and human emotions. Yunan invites you to this visual dialogue thread the rhythmic oscillation of vibrancy and calm, and allows yourself to gallivant around the planets and the space, to feel the interplay of lights and shadows, and to embrace the roaming imagination. Yunan Ma, Blossom in the Moonlight 9, 2023, merino wool, copper hoop. Previous Next

  • Works on Paper, 2023

    EXHIBITION Works on Paper David Einstein DATES: JAN 14 - MAY 7 YEAR: 2023 Previously on view in the Warburton Gallery < Back OVERVIEW ADDITIONAL INFORMATION ! Widget Didn’t Load Check your internet and refresh this page. If that doesn’t work, contact us. ! Widget Didn’t Load Check your internet and refresh this page. If that doesn’t work, contact us. ! Widget Didn’t Load Check your internet and refresh this page. If that doesn’t work, contact us. "Untitled" Previous Next

  • Energies

    Energies Khatanuul Zorig & Kyle Dell'Aquila Through January 5 Now on View in the Digital Gallery Plan Your Visit < Back Overview Khat and Kyle are partners in life, business, and creativity. They explore the intersection of nature, humanity, and machines. Their work embodies the cross-section of internal and external energies with the shared mission of empowering those often overlooked. Khat’s energies focus on internal empowerment, nurturing resilience, and healing within individuals, particularly the underprivileged. Growing up in the Mongolian countryside with a love for math and the arts, Khat pursued her education in math and business at UVA and MIT. She built AI and analytics technologies at Accenture and Buddy as well as investing in AI startups at Innospark Ventures. After realizing that AI will automate repetitive tasks and especially after meeting Kyle, Khat was inspired to explore her creative skills through film and fashion. Her explorations are shaped by her childhood in Mongolia during its time as a soviet satellite state, the loss of her father to alcohol after she immigrated to the US as an exchange student at 16, her life as an immigrant transitioning from blue collar worker to the tech and finance world in the US, her own personal struggles and transformations along the way, the differences of culture and values across Mongolia and US in variety of settings, and the future she wants to build that combines the best of both worlds. On the other hand, Kyle's energies are channeled into external empowerment, manifesting through technological innovation and artistic expression. By creating tools and ideas, he aims to inspire the next generation to push boundaries and envision a brighter future where technology and creativity work hand in hand to solve the world's challenges. A native of Santa Clara, California, Kyle is Taiwanese-Italian-Nicaraguan and grew up in the Bay Area with a deep love for the arts. His passion for blending technology and creativity led him to study industrial design at the Rhode Island School of Design (RISD), where his energies for integrating art and engineering bloomed. As he builds an electric heavy machinery robotics startup in Boston, Kyle continues to draw inspiration from the legacy of Nikola Tesla, inspiring the future with products that merge electricity, apparel, and media. Artist Statement Our commitment is challenging the status quo and envisioning a future where creativity, technology, and courage intersect to shape our better world. This commitment was inspired and encouraged by our mentor, Bill Warner, a visionary who transformed the film industry. His influence motivated us to follow our energies and create ZORIG, which means "Courage" in Mongolian. It is not just a sci-fi movie and futureware brand; it embodies the spirit of bravery and the conviction to speak and act from the heart. Through ZORIG, we explore the power of science fiction as a medium to dream and visualize the future we want to live in - one that’s nature-loving, techno-optimistic, and humanity empowering. Movies profoundly impact shaping mindsets and influencing the collective imagination, yet the current state of the film industry disheartens us. Real stories are often overlooked, lacking diversity, and commercial interests frequently stifle creativity. Our mission is to disrupt this narrative by telling stories our way, inspiring change, and empowering the underrepresented. Our work extends beyond the screen into the tangible world of fashion. We have seen the devastating effects of the fashion industry on the environment, and we refuse to contribute to its harmful practices. Instead, we embrace a made-to-order approach, ensuring that every piece we create is a statement of power, style, and a commitment to sustainability with responsible consumption. Both through our futuristic Mongolian themes and our earth-loving designs, we hope to make people feel like powerful techno-warriors when they’re wearing our garments. As we continue to develop our sci-fi movie, we release snippets and showcase products that reflect the themes and values of our story. Each piece we create is a fusion of art, technology, and storytelling, designed to inspire others to imagine and build the future we all deserve. Marquee: Exhibition Images Previous Next

  • Happenstance, 2023

    EXHIBITION Happenstance Jeff Owen DATES: SEPT 2 - JAN 7 YEAR: 2023 Previously on view in the Rotunda Gallery < Back OVERVIEW ADDITIONAL INFORMATION Happenstance - An Unexpected Journey My artist life began as a child sitting in the back seat of a 1957 Chevrolet with a drawing tablet – only the best from the art store – and my favorite #2 pencil. My mother would throw me and all of her drawing supplies into the car and drive all around town looking for interesting buildings, homes, or people to draw. Always on a busy street, cars whizzing by with all the noise that accompanies them; no matter, we were there to draw whatever was out the side window of the car. I’d say my drawings were never much to look at, but I always received tons of “that’s beautiful” or “I wish I could draw like that” from Mom. Sometimes my scale would be off, sometimes my perspective. No problem, Mom encouraged me. Each adventure would top the last – and each finishing with a quick roll up of the window, a buckle of the seatbelt, and a retreat to home where Mom would pull out her recent work and “touch up” her drawing – then – she began to paint. This was the best time. The fumes of oil and turpentine would fill the house. We, my sister and I, would run over and open a window to get some fresh air into the room – Mom was painting! We would watch her paint, and then, for some unknown reason (except for being a kid) we’d find something else to do – until our curiosity sparked us to again go and see how far she had come with her latest “masterpiece.” This was my introduction to art. My art evolved over the years, sometimes taken with painting, sometimes drawing, until that one special day that I discovered welding. My father-in-law, Chet Christison, lived in Fresno. We would visit him and his wife Thelma at least three or four times per year. His workshop, a huge outbuilding on the property, was filled with woodworking tools. Little did I know that he also loved metal. Inside his workshop, in a corner that you could barely get to without disturbing all the feral cats he loved so much, away from everything else, was an oxy-acetylene torch set, and next to it, a small welder. “What the heck is this?” I asked him. “Oh that, you wouldn’t know” he said. “That’s for welding metal.” I asked him if he wanted it, since I could see it had not been used in some time. “What are you going to do with it? You don’t even know how to use it.” I finally got him to give it to me. The welder went into the back of my truck, along with the oxy set. I was determined to put them to good use. I must be able to find something that needs welding... -------------- My technique is brute force, decide-at-the-moment. My creative process emerges with patterns. I incorporate patterns into all of my sculptures. Taking one piece of steel, adding to it, or deleting from it, then ending when the sculpture encompasses all of my creativity, this is what charges up my artistic energies. When my creative force is flowing, I work on a sculpture to completion. It is finished when the creative flow ends. I have been an artist all my life. I am fascinated with engineering and architecture. The shapes of metal, its patterns, textures and grains all entice me to create. My ability to cut and weld metal allows me to create any art I desire. My aspiration is to create sculpture that is unique, something that no one has done before. I resist conformity and mass production. My art is as individual as I am. My art belongs to our present time or any time. My art does not represent reality inspired by the real world. It makes use of patterns representing independent relationships with no reference – “contemporary-abstraction.” I take delight in rummaging through metal scrap yards, finding those particular pieces of steel that stir me in some way or other. I have feelings for inanimate objects. When I see something tossed aside, I ponder why? I wonder where it has been and where it is going. Each piece I touch has its own individual tale. Was it once part of a bridge, supporting travelers to distant cities? Was it once part of a water tower, supplying nourishment to gardens? Was it used to manufacture others, like itself? When I’ve rescued that piece from limbo, it may take me only moments, or possibly many months, to understand within myself what that metal wants, or needs, to become. Only then will I fulfill “its” dream. Jeff Owen 2023 "Lost Horizons" Previous Next

  • Drawing Techniques for the Creative Mind with MeiYing Dell’Aquila | Triton Museum of Art

    Drawing Techniques for the Creative Mind with MeiYing Dell’Aquila MeiYing Dell'Aquila Wednesday Afternoons from 3:30pm to 5:00pm, September 6th through October 25th In-person afterschool camp at the Triton Museum of Art. Open to students ages 6-15 years old. All Materials Included. 8-Sessions. About the Instructor: MeiYing Dell'Aquila MeiYing Del’Aquila is a Taiwanese American award-winning artist residing in California. Primarily working in oils, her work has been exhibited in solo and juried shows in museums and galleries throughout the US, including the de Young Museum in San Francisco, CA. MeiYing holds a Master of Arts degree from San Francisco State University and is the former owner and teacher at My Art School, an afterschool art program she ran for 25 years in Cupertino. As an educator, she encourages students to become the best they can be through promoting “self-empowerment to take charge and change the world for the better”. This legacy can be seen in her own paintings, which depict strong, confident figures and dynamism. BACK

  • Jamison Brown House | Triton Museum of Art

    Jamison Brown House Capacity 40 Seated / 50 + Indoor Reception Capacity Price About the Venue $200.00 per hour with a minimum of 4 hours (cleaning deposit $300.00, max capacity 50) This historic, 1866 colonial house is a charming venue for retreats an dmore intimate celebrations. Venue Gallery Other Opportunities Jamison Brown House Jamison Brown House

  • Triton Online: Acrylic Painting Using a Knife and Brush (Pt. 2) | Triton Museum of Art

    Triton Online: Acrylic Painting Using a Knife and Brush (Pt. 2) Jeff Bramshreiber Monday Nights from 5:30pm to 7:30pm; September 4th through October 16th, 2023 Develop and grow your drawing skills using a knife and brush. Gain community and level up your skills from the comfort of your own home! Whether you are a novice or an experienced artist, this theme-based course is perfect for all artistic levels! About the Instructor: Jeff Bramshreiber Jeff Bramschreiber has been drawing and painting for over forty years, and while he is primarily a pastelist, he also frequently works in acrylic, watercolor, silverpoint most dry media and even airbrush. His artworks hang in private collections throughout the United States and Europe and have received many awards. A local art advocate, he has served as an art club president, (East Valley Artists and Santa Clara Art Association), as a juror with nearly fifty shows to his credit, as treasurer and lecturer for Silicon Valley Open Studios, as a demonstrator and lecturer for many of the Bay Areas’ art clubs, colleges and museums. Jeff also worked at University Art San Jose for 21 years before its closing in 2018 as an assistant Manager, Frame Designer, and Community Art Liaison. Mr. Bramschreiber has also helped coordinate, organize, and participate in numerous local art shows, group shows and events throughout his career. Currently he is President of the Board of Trustees for the Triton Museum of Art in Santa Clara, an exhibiting and “live paint” artist at Kaleid Gallery in Downtown San Jose; Jeff is also an art instructor for the Triton Museum of Art , The Rosicrucian Egyptian Museum, The Pacific Art League and The Villages Arts and Crafts Association. BACK

  • Khat Zorig & Kyle Dell'Aquila | Triton Museum of Art

    < Back Khat Zorig & Kyle Dell'Aquila SEPT 28 - JAN 5 Energies Khat and Kyle are partners in life, business, and creativity. They explore the intersection of nature, humanity, and machines. Their work embodies the cross-section of internal and external energies with the shared mission of empowering those often overlooked. Khat’s energies focus on internal empowerment, nurturing resilience, and healing within individuals, particularly the underprivileged. On the other hand, Kyle's energies are channeled into external empowerment, manifesting through technological innovation and artistic expression. Artist Statement: Our commitment is challenging the status quo and envisioning a future where creativity, technology, and courage intersect to shape our better world. This commitment was inspired and encouraged by our mentor, Bill Warner, a visionary who transformed the film industry. His influence motivated us to follow our energies and create ZORIG, which means "Courage" in Mongolian. It is not just a sci-fi movie and futureware brand; it embodies the spirit of bravery and the conviction to speak and act from the heart. Through ZORIG, we explore the power of science fiction as a medium to dream and visualize the future we want to live in - one that’s nature-loving, techno-optimistic, and humanity empowering. Movies profoundly impact shaping mindsets and influencing the collective imagination, yet the current state of the film industry disheartens us. Real stories are often overlooked, lacking diversity, and commercial interests frequently stifle creativity. Our mission is to disrupt this narrative by telling stories our way, inspiring change, and empowering the underrepresented. Our work extends beyond the screen into the tangible world of fashion. We have seen the devastating effects of the fashion industry on the environment, and we refuse to contribute to its harmful practices. Instead, we embrace a made-to-order approach, ensuring that every piece we create is a statement of power, style, as well as a commitment to sustainability and responsible consumption. Both through our futuristic Mongolian themes and our earth-loving designs, we hope to make people feel like powerful techno-warriors when they’re wearing our garments. As we continue to develop our sci-fi movie, we release snippets and showcase products that reflect the themes and values of our story. Each piece we create is a fusion of art, technology, and storytelling, designed to inspire others to imagine and build the future we all deserve. Previous Next

  • Understory as Retold by Trinh & Birds, 2022

    EXHIBITION Understory as Retold by Trinh & Birds Trinh Mai DATES: MAY 28 - SEP 4 YEAR: 2022 Previously on view in the Unknown < Back OVERVIEW ADDITIONAL INFORMATION Previous Next

  • Pop, Funk, and Just Plain Fun!, 2021

    EXHIBITION Pop, Funk, and Just Plain Fun! Various Artists DATES: MAR 13 - MAY 2 YEAR: 2021 Previously on view in the Unknown < Back OVERVIEW ADDITIONAL INFORMATION Previous Next

  • Tequila Tasting | Triton Museum of Art

    < Back EVENTS Tequila Tasting Date Time Cost < Back May 10th, 2024 / 6pm - 8pm Fundraiser Event This is placeholder text. To change this content, double-click on the element and click Change Content. Want to view and manage all your collections? Click on the Content Manager button in the Add panel on the left. Here, you can make changes to your content, add new fields, create dynamic pages and more. Your collection is already set up for you with fields and content. Add your own content or import it from a CSV file. Add fields for any type of content you want to display, such as rich text, images, and videos. Be sure to click Sync after making changes in a collection, so visitors can see your newest content on your live site. Previous Next

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